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ޮݥR"ޮư"iJohn R. "Johnny" Cash1932N226 - 2003N912ضOݶްݸײoD[1]ذۯ۶ذ̎ȉ20ȊЭ޼݂ɉe^ƍLlĂ[2]ذ̱݂ƂĒmĂ邪Ȃ⻳ނ̼ެق̕ۯ۶ذٰۯ޽Ƒɘj顂۽ްɂذЭޯaۯ̓a޽٥Эޯ̓aƕ̓aʂ̏ɂͻݥںނɏ۶ذںނ𔭕\ٳިڽذƂͤڰ٥ҲĂł
̂[޽=݂[4][5]ޯނ̻ޥȼذ̓Ɠ̻ޤJTƌȐU镑[3]𕹂”t̲Ұ[6][7]Y̖ݻ[8][9]ƯȰݥݥׯ̌ƂȂڰϰ̍̒pŒmĂ[11]ݻĂł͏ɼقɢHello, I'm Johnny Cash. Ŏn܂[13]ĖȁwFolsom Prison Blues xtĂ
̉y̑ɌN̍i͔߈I܍߂ðςɂĂ[3][14]wI Walk the Line xwFolsom Prison Blues xwRing of Fire xwGet Rhythm xwMan in Black xȂǂ̋ȂŒmĂ顑ɂwOne Piece at a Time xwA Boy Named Sue xɍȂƂȂޭݥien:June Carter CashjƂޭāwJackson xSðςɂwHey, Porter xwRock Island Line xȂհ׽ȋȂ[15]NŲݥȲٽ́wHurt xȂǤ20Iۯ‚ާ
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۰ݸޥİ݂̑Iԗjł̑100l̼ݶްɂđ21[17]
۰ݸޥİ݂̑Iԗjł̑100g̱èģɂđ31ʡ
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1. Johnny Cash & June Carter, Last.fm, (2010), http://www.last.fm/music/Johnny%2BCash%2B%2526%2BJune%2BCarter 2010N120{ 
2. Holden, Stephen (September 13, 2003), gJohnny Cash, Country Music Bedrock, Dies at 71h, The New York Times, http://www.nytimes.com/2003/09/13/arts/johnny-cash-country-music-bedrock-dies-at-71.html?pagewanted=all&src=pm February 25, 2013{ 
3. Pareles 1994.
4. Although Cash's voice type endured over the years, his timbre changed noticeably: "Through a recording career that stretche[d] back to 1955", Pareles writes, Cash's "bass-baritone voice [went] from gravelly to grave".[3]
5. Urbanski 2003, p. xiv.
6. Dickie, M (2002) [1987], gHard talk from the God-fearinf, pro-metal man in Blackh, in Streissguth, M, Ring of fire: The Johnny Cash reader, Cambridge, MA: Da Capo, pp. 201?5, http://books.google.com/books?id=3pNFreWKHZgC&printsec=frontcover&source=gbs_navlinks_s#v=onepage&q=&f=false 
7. Streissguth, M (2006), Johnny Cash (biography), Philadelphia: Da Capo, p. 196, http://books.google.com/books?id=BBRDZoBeI88C&printsec=frontcover&source=gbs_navlinks_s#v=onepage&q=&f=false 
8. Fox, JA (October 17, 2005), gHard time's never a 'circus'h, The Boston Herald (Baylor University), ؼق2006N920_ɂ鱰ޡ, https://web.archive.org/web/20060920020148/http://www.baylor.edu/pr/bitn/news.php?action=story&story=37416 2010N322{ 
9. Streissguth 2005.
11. For Cash, black stage attire was a "symbol of rebellion?against a stagnant status quo, against... hypocritical houses of God, against people whose minds are closed to others' ideas".[9]
13. Schultz refers to this phrase as Cash's "trademark greeting", and places his utterance of this line, on Cash's At Folsom Prison album, "among the most electrifying [seconds] in the history of concert recording."[10]
14. Mulligan, J (February 24, 2010), gJohnny Cash: American VI: Ain't No Graveh (album review), entertainment.ie, http://entertainment.ie/album-review/Johnny-Cash--American-VI-Ain%27t-No-Grave/6891.htm 2010N322{ 
15. For discussion of, and lyrics to, Cash's songs, see Cusic, D, ed. (2004), Johnny Cash: The songs, New York: Thunder's Mouth, http://books.google.com/books?id=YYejIsGmjEgC&printsec=frontcover&source=gbs_navlinks_s#v=onepage&q=&f=false 
16. http://www.rollingstone.com/music/artists/johnny-cash/biography
17. Rolling Stone. g100 Greatest Singers: Johnny Cashh. 2013N526{
18. gRocklist.net...Q Magazine Lists..h. Q - 100 Greatest Singers (2007N4). 2013N521{

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